{"id":271,"date":"2024-03-11T12:40:54","date_gmt":"2024-03-11T12:40:54","guid":{"rendered":"https:\/\/www.operaoutofopera.eu\/?page_id=271"},"modified":"2024-03-11T12:52:54","modified_gmt":"2024-03-11T12:52:54","slug":"open-call","status":"publish","type":"page","link":"https:\/\/www.operaoutofopera.eu\/en\/open-call\/","title":{"rendered":"Open Call"},"content":{"rendered":"\n

\u201cOpera Out of Opera 2\u201d announces the call for ideas<\/strong> to create artistic works for immersive rooms dedicated toopera performances: Puccini’s “La Boh\u00e8me” and Mozart’s Opera Trilogy: “The Marriage of Figaro,” “Don Giovanni,” and “Cos\u00ec fan tutte.”<\/p>\n\n\n\n

The immersive room\/art installation will function as a captivating space, guiding spectators through the journey undertaken to engage young audiences in the project. By involving them as active participants, the spectators will be immersed in the universe of the work with which they will come into contact, enhancing their enjoyment and experience during the live performance and bringing them closer to the world of opera.<\/p>\n\n\n\n

We welcome submissions from all imaginative individuals to share their ideas and actively participate in bringing this immersive space to life. Together, let’s explore new frontiers in artistic expression and enhance engagement with opera.<\/p>\n\n\n\n

The selected<\/strong> works will form the basis for immersive rooms that audiences will visit before the scheduled operas as part of the project, included in OOO2 app and website and disseminated within our social media as well in all partners\u2019 communication streams, reaching a wide international context.<\/p>\n\n\n\n

\u201cOpera Out of Opera 2\u201d (OOO2) <\/strong>is a collaborative project co-funded by the Creative Europe program of the European Commission. Its aim is to re-launch opera and reintroduce it to new, younger generations.<\/p>\n\n\n\n

Possible Formats<\/b><\/h2>\n\n\n\n

We welcome diverse artistic expressions, including but not limited to photos, videos, paintings, costume design, set design, sculptures, 3D models, immersive audio, digital art, [\u2026], that delve into the themes mentioned below.<\/p>\n\n\n\n

Deadline<\/b><\/h2>\n\n\n\n

21st JULY 2024<\/b><\/h4>\n\n\n\n

For detailed submission guidelines and additional information, please upload your content via this Google Form. You will have to have full rights on the artwork and share a version as CC-BY (Creative Commons Attribution) for the specific purposes of Opera Out of Opera 2 project.<\/span><\/p>\n\n\n\n

\n
SUBMIT<\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

The List of Possible Themes<\/b><\/h2>\n\n\n\n

La Boh\u00e8me (Puccini)<\/b><\/h3>\n\n\n\n

Conflict and Compromise:<\/i><\/b> The opera portrays conflicts between individual ambitions and societal obligations, as well as the theme of seeking compromises in relationships.<\/span><\/p>\n\n\n\n

Poverty and Creativity:<\/i><\/b> The opera addresses the theme of poverty among young artists and their pursuit of art despite difficulties.<\/span><\/p>\n\n\n\n

Loss and Nostalgia:<\/i><\/b> The opera also delves into the themes of loss and longing, emphasizing the fleeting nature of youth and the emotional experiences of the characters.<\/span><\/p>\n\n\n\n

Friendship and Solidarity:<\/i><\/b> The theme of friendship and solidarity among artists serves as a crucial aspect of the opera, reinforcing the unity of the bohemian community.<\/span><\/p>\n\n\n\n

Isolation and Loneliness:<\/i><\/b> Despite close relationships, some characters experience a sense of isolation and loneliness, adding depth and complexity to the opera.<\/span><\/p>\n\n\n\n

The Marriage of Figaro (Mozart)<\/b><\/h3>\n\n\n\n

Social Inequalities:<\/i><\/b> The opera explores themes of social differences and conflicts, especially through the relationships between servants and their masters.<\/span><\/p>\n\n\n\n

Women’s Emancipation and Independence:<\/i><\/b> The opera addresses the themes of women’s liberation, demonstrating their desire for independence. Susanna and Countess Rosina are portrayed as women striving for autonomy and justice within the context of their time.<\/span><\/p>\n\n\n\n

Resistance to Traditions:<\/i><\/b> Characters actively confront social and family traditions, expressing their defiance and desire for freedom of choice.<\/span><\/p>\n\n\n\n

Condemnation of Hypocrisy and Lies:<\/i><\/b> Many characters face the consequences of their lies and hypocrisy, highlighting the theme of honesty and sincerity.<\/span><\/p>\n\n\n\n

Sexual Harassment:<\/i><\/b> The plot of the opera includes elements of intrigue and deception related to romantic relationships, which can be interpreted as a violation of personal boundaries.<\/span><\/p>\n\n\n\n

Don Giovanni (Mozart)<\/b><\/h3>\n\n\n\n

Abuse of Power in Male-Female Relations: <\/i><\/b>Don Juan often plays the role of a seducer, using his power and influence to achieve selfish goals in relationships with women.<\/span><\/p>\n\n\n\n

Jealousy and Conflicts:<\/i><\/b> Don Juan frequently finds himself in love triangles where jealousy arises among characters due to his attention to different women.<\/span><\/p>\n\n\n\n

Actions and their Consequences:<\/i><\/b> The actions of the main character, Don Juan, and the retribution for his moral transgressions are a key theme of the opera.<\/span><\/p>\n\n\n\n

Death and Immortality:<\/i><\/b> The return of the Commendatore as a ghost and the themes of death in the third act intensify the atmosphere of tragedy and emphasize the immortal nature of moral consequences.<\/span><\/p>\n\n\n\n

Moral Dilemmas:<\/i><\/b> Leporello often grapples with moral dilemmas due to Don Juan’s actions, and his relationship with his master underscores these ethical questions and internal conflicts.<\/span><\/p>\n\n\n\n

Cos\u00ec fan tutte (Mozart)<\/b><\/h3>\n\n\n\n

Testing Relationships:<\/i><\/b> Characters undergo trials that challenge their feelings and fidelity.<\/span><\/p>\n\n\n\n

Gender Stereotypes:<\/i><\/b> The opera raises questions about gender stereotypes and compares the characters of men and women.<\/span><\/p>\n\n\n\n

Intrigues and Betrayal:<\/i><\/b> The plot of “Cos\u00ec fan tutte” includes intrigues and elements of betrayal, creating tension and drama in the unfolding events.<\/span><\/p>\n\n\n\n

Freedom of Choice and Responsibility:<\/i><\/b> The theme of freedom of choice in the opera emphasizes the importance of individual responsibility for one’s actions in complex scenarios of romantic intrigue.<\/span><\/p>\n\n\n\n

Masquerade and Identity Games:<\/i><\/b> The opera’s characters decide to test the faithfulness of their fianc\u00e9es, devising a cunning plan. They exchange masquerade disguises and begin courting the ladies in the guise of each other. <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

\u201cOpera Out of Opera 2\u201d announces the call for ideas to create artistic works for immersive rooms dedicated toopera performances: Puccini’s “La Boh\u00e8me” and Mozart’s Opera Trilogy: “The Marriage of Figaro,” “Don Giovanni,” and “Cos\u00ec fan tutte.” The immersive room\/art installation will function as a captivating space, guiding spectators through the journey undertaken to engage […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-271","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.operaoutofopera.eu\/en\/wp-json\/wp\/v2\/pages\/271","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.operaoutofopera.eu\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.operaoutofopera.eu\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.operaoutofopera.eu\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.operaoutofopera.eu\/en\/wp-json\/wp\/v2\/comments?post=271"}],"version-history":[{"count":2,"href":"https:\/\/www.operaoutofopera.eu\/en\/wp-json\/wp\/v2\/pages\/271\/revisions"}],"predecessor-version":[{"id":274,"href":"https:\/\/www.operaoutofopera.eu\/en\/wp-json\/wp\/v2\/pages\/271\/revisions\/274"}],"wp:attachment":[{"href":"https:\/\/www.operaoutofopera.eu\/en\/wp-json\/wp\/v2\/media?parent=271"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}